Automobiles

Scrap iron human being the part Cemetary of the Automobiles, competently directed and staged in the city of Cariacica, in the Cultural Center Frei Civitella di Trento, with excellent prominence for the actor Hudson Braga, presents a text teatral that provokes the feeling of suggestive and opened text, without argumentativa linearity, but with untied provocations e, at the same time, amalgamated in the chaos of the lost mind, concerning the smallness human being, everything this of form dialogued with the history of Christ, trado for Judas and assassinated by bringing alento to the poor people. To live in old cars and fondness to be treated as if was in luxury hotel sample that the poor person has the same dreams of the rich one, and this uniformiza the ideological misery of the present time. Moreover, the cars, symbols of conquest in the modern world, finish old and abandoning, as well as the men who, unhappyly, in the capitalist behavior, love the things and use the people, instead of loving the people and using the things. Of this form, the use of the sex as survival, the autoengano, the alienation, greed, the fusing and the exchange of papers between the couples, the poverty of spirit and financier, the running without point of arrival, among others thematic suggested, constitute a bedspread of remnants, a mosaic, a mixture of reflections that take the spectator to perceive, in each scene, the automobile casting between carcasses human beings and sucatas, as well as the interlacement of chains, handcuffs and leather straps, that moor the individual in its ‘ ‘ mundinho’ ‘ pressed, of which it cannot, it does not obtain nor wants to leave..